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CONTENTS:

SPONGING

RAGGING RAG-ROLLING DRAGGING COLOR WASHING

SMOOSHING



We've listed our color selections for the following rechniques. You can experiment with your own color choices.

SPONGING  Return to CONTENTS
Positive Method

Tools: Large natural sea sponge, corner cut sponge, paint tray, small 1" brush
Materials: Stage 1: base color #681, Regal AquaGlo
Stage 2: sponge colors #719, #024, #1375, Regal Wall Satin
Definition: "Pounce" - a straight up and down motion used to texture or soften paint. Do not twist or wipe across surface or smeared appearance will result



Walls  Return to CONTENTS
Step 1: Paint wall base color allow to dry overnight.
Step 2: Wet sponge with water and wring out until damp.
Step 3: Pour first Stage 2 color in paint tray
Step 4: Lightly dip sponge in paint and dab on clean area of tray or trial surface, to blot excess paint from sponge.
Step 5: Start anywhere on wall, gently dab wall with sponge about 12'' apart, until a 4' x 4' area has been covered.
Step 6: Without reloading sponge, fill in between initial hits. This method will ensure eveness over the entire wall.
Step 7: Reload sponge and cover an adjoining 4' x 4' area overlapping previous area slightly. Continue until wall is complete.
 
Step 6
Initial dabs, 12" apart




Step 8
"Cutting in" with a corner sponge


Step 9
"Pounce" corners to soften


Step 10
Add additional colors
 
Corners  Return to CONTENTS
Step 8: Using "corner sponge" with the straight edge against the wall not being painted, sponge the corners, starting at top of wall.
Step 9: Use old 1" brush to pounce corners. This will soften and fill in those areas the sponge missed.
Step 10: Apply remaining colors, one at a time as indicated in steps 1 through 9, until walls are completed.



Finishing  Return to CONTENTS
Step 11: Apply a clear coat, if desired, for added durabiIity and additional depth of color once all colors aredry.


NOTES: When using latex, each color need only be "dry to the touch" before proceeding with next color. If too much color or pattern is applied, remember you can soften the effect by sponging some of the background color over "the mistake".

This technique leaves lots of room for experimentation. Be creative, especially with color.
     
Apply Latex Acrylic Urethane for added durability
 




RAGGING  Return to CONTENTS
Negative Method

Tools: Large natural sea sponge or cheese cloth, small 1" brush, chamois, paint tray, short nap roller, gloves.
Materials: Stage 1: base color - #589, Regal AquaGlo
Stage 2: glaze color - #595, Satin Impervo, and Moore's Glazing Liquid
Definition: "Cutting in" - a technique used to finish into corners and detail areas. Use a smaller tool, and maintain wet edges on different application areas.



Walls - Corner to Corner  Return to CONTENTS
Step 1: Paint wall base color, allow to dry overnight.
Step 2: Mix glaze using formula.
Step 3: Pour glaze in paint tray.
Step 4: Using roller, apply even coat of glaze to first 3-4 feet of wall, top to bottom.
Step 5: Cut in corner using brush, and pounce to remove brush marks.
Step 6: Dampen sponge with water, and wring out.
        Step 4:  Applying glaze over dry base coat
Step 4
Applying glaze over dry base coat

Step 5:  Cutting in corner
Step 5
Cutting in corner



Step 7:  Stipple finish
Step 7
Stipple finish

Step 9:  Raggin finish
Step 9
Ragging finish
 
Stippling  Return to CONTENTS
Step 7: Using sponge or cheese cloth, dab glaze everywhere to remove roller marks. If a more subtle finish is desired, this "stippled finish" can be left at this stage, or for a variation proceed with ragging instructions.
Ragging  Return to CONTENTS
Step 8: Dampen chamois with water and wring out.
Step 9: Bunch up chamois in hand and "pat" wall surface all over, turning cloth frequently to produce a random pattern.
Step 10: Repeat steps 4-6, 8-9 to corner.
Step 11: After each panel, or, when rag is loaded with glaze, rinse in a bucket with 1" of mineral spirits, and wring out thoroughly.



Finishing  Return to CONTENTS
Step 12: When your glaze is dry (overnight), you are ready to apply additional colors, if desired, following the same method.
Step 13: Your new glazing finish is very durable but a clear coat such as Polyurethane may be applied, if desired, for added gloss and durability, once all colors are dry.


NOTES: With negative or removal techniques you must work quickly and complete each section before the glaze becomes tacky. Team work with one person applying the glaze and a second person following with the selected negative technique will make the job easier. Ragging and stippling can be done independently of one another to produce different effects.
  Work from top to bottom of wall
Work from top to bottom of the wall




RAG-ROLLING  Return to CONTENTS
Positive Method

Tools: Brushes 1" & 3", cloth (diaper, cheese cloth, etc.), paint tray, gloves.
Materials: Stage 1: base color - #008, Regal AquaGlo
Stage 2: ragging colors - #011, #324,
Regal Wall Satin
Moore's Latex Acrylic Urethane
Definition: "Ragging" - a glazing term commonly known as a negative technique. It must be adapted here as a positive method in the form of "Ragging On".



Walls  Return to CONTENTS
Step 1: Paint wall base color, allow to dry overnight
Step 2: Pour first Stage 2 color in paint tray.
Note: If more subtle effect is desired, paint may be thinned with water up to 10%.
Ragging On  Return to CONTENTS
Step 3: Dip rag in paint, and wring out slightly.
Step 4: Using twisted rag, start at top of wall and roll down to bottom.
Step 5: Continue by rolling next panel besided first until wall is completed. Allow paint to dry overnight before continuing with next step.
Step 6: Apply second colored glaze, using same method, (steps 3 - 6)
  Step 3:  Dip rag in paint
Step 3
Dip rag in paint

Step 4:  Use both hands to roll rag down wall
Step 4
Use both hands to roll rag down wall



Step 6:  Apply a second color
Step 6
Apply a second color
 
Color wash  Return to CONTENTS
Step 7: Using Moore's Latex Acrylic Urethane tinted with White Moore's Colorant (WH), brush a thin coat over entire walI surface. This wil soften the initial effect. (optional)

Brushing Technique: Use a 3" brush, with short brush strokes in multiple directions, producing a cross hatching effect. Do not try and remove brush marks, as they add interest and dimension to your finish.

Color washes are attractive over any finish, to soften or reduce contrast. Try using a wiping motion with a soft cloth for a subtle finish, if brush marks are not desirable.






Finishing  Return to CONTENTS
Step 8: If a color wash was not used, you may want to apply a clear coat for added durability.

Rolling Technique: To aid in keeping rag-rolling pattern even, start rolling at top of wall down to midway point. Then start at bottom rolling up, feathering out where rag-rolling meet.
Feathering Technique: Where pressure is reduced gradually near the end of a stroke with the application tool.
  Step 7:  Add a white
Work from top to bottom of the wall






DRAGGING  Return to CONTENTS
Negative Method

Tools: Small 1" brush, dragging brush (broom, whisk, comb, etc.) paint tray, short nap roller, gloves.
Materials: Stage 1: Upper wall base color - #778, and lower wall base color - #783 Regal AquaGlo
Stage 2: Glaze color - #784, Satin Impervo, and Moore's Glazing Liquid.
Definition: "Wet Edge" - margin of unworked glaze or paint, which is used to blend adjacent applications of glaze to eliminate lap marks.



Moulding & Trim  Return to CONTENTS
Step 1: Paint base coat and allow to dry overnight.
Step 2: Apply glaze with brush along full length, or to a natural stop.
Step 3: Choose one of the following methods:

Dragging - Using a dry brush, start at one end and drag the length of moulding. Or Wiping - Using a dry cloth, start at one end and lightly wipe off glaze.

NOTE: Dragging usually results in excess glaze accumulating at the base. Ensure that proper masking and drop cloths are in place, to catch this glaze. As well, glaze will accumulate in tools. Remove excess glaze as you work.

  Step 3:  Dragging on mouldings
Step 3
Dragging on mouldings

Step 3:  Wiping on mouldings
Step 3
Wiping on mouldings



Step 6 & 7: Team work: one person applies the glaze, while the other pulls vertically through it
Step 6 &7
Team work: one person applies the glaze, while the other pulls vertically through it
  Alternatives  Return to CONTENTS

- first color dragged vertically, second color dragged horizontally,

- use rubber side of squeegee, notched, for a graphic pattern.

- squiggles, curves, and arcs are fun and interesting.



Walls
Step 1: Paint wall base color, allow to dry overnight.
Step 2: Mix glaze using formula.
Step 3: Pour glaze in paint tray.
Step 4: Using roller, apply even coat of glaze to first 3-4 feet of wall.
Step 5: Cut in corner, base and ceiling using paint brush.
Step 6: Using dragging brush, start at top of wall, pull vertically down wall as straight as possible. Repeat and continue to within one brush width of edge of glaze, leaving a wet edge.
Step 7: Apply next section of glaze and repeat to end of wall.



Finishing  Return to CONTENTS
Step 8: Your new glazing finish is very durable but a clear coat may be applied for added gloss, depth of color and durability, once glaze is dry.

NOTE: With negative or removal techniques you must work quickly and complete each section before the glaze becomes tacky. Team work with one person applying the glaze and a second person following with the selected negative technique will make the job easier.




COLOR WASHING  Return to CONTENTS
Positive Method


TOOLS:
Roller & paint pan (for base coat), bucket, water, mixing stick, sponge or rags, protective gloves

MATERIALS:
REGAL AQUAGLO (base coat), REGAL WALL SATIN (colorwash), STAYS CLEAR (colorwash)


Color Washing
Color washing gives this wall that old world charm.

Color washing is an easy way to dress up less than perfect walls and enhance the texture and character of plaster or stuccoed walls.

There are two steps to this technique. A base coat and a translucent coat that you "wash" on top. Keep in mind that while circular motions are used for this demonstration, you can apply the wash any way you see fit. An entire room, after the base coat, can be color washed in about 45 to 90 minutes.

As a variation, this technique can be applied directly over wallpaper that has colors and patterns you want to tone down.



Steps to washing Step 1: Base Coat Apply a base coat of Regal AquaGlo in the color of your choice and let it dry.

Step 2: Mix Color Wash Mix one (large) part Regal Wall Satin (tinted to the color you want your glaze to be), one part Benwood Stays Clear and one part water. Stir.

Step 3: Application Dip sponge into mixture, squeeze out excess and 3a. "Wash" onto walls with circular motions.

How To Get That "Textured" Look of Stucco and Plaster. . .
  1. Apply a coat of Texture Paint* Let dry.
  2. Apply base coat. Let dry.
  3. MIX COLOR WASH, AND APPLY WITH SPONGE. (NOTE: For more details on applying Texture Paint, refer to Benjamin Moore's Texture How-to Booklet.)
*This product not available in Canada.

For Better and Faster Results. . .
  • When choosing colors, decide how they will react together, and whether you want light over dark or dark over light.
  • The base coat is the color you want to see the least of, the "wash" the color you want to see most.
  • Fewer rubs will give you a more "distressed" look, more rubs, a "warmer" look.
  • If wash color is the same color as the woodwork no masking off will be required.




SMOOSHING  Return to CONTENTS
Negative Method


TOOLS:
Paint roller and tray, plastic drop sheets, protective gloves

MATERIALS:
REGALAQUAGLO (base coat), SATIN IMPERVO (glaze coat), GLAZING LIQUID (glaze coat)


Steps to washing
A wall can be smooshed in just 15-20 miutes,
giving any room a great new look.


If you like the look of marble, this is the technique for you.

Smooshing is a "negative" technique. This means you will be applying glaze onto the wall and then creating a marble-like texture by placing plastic over the wet glaze, smoothing it with your hand and then removing it.



Steps to washing Step 1: Base Coat Paint walls with Benjamin Moore's Regal AquaGlo satin finish latex in the color of your choice. Allow to dry ovemight.

Step 2: Mix Glaze Mix together five parts Benjamin Moore's Alkyd Glazing Liquid and one part Satin Impervo, tinted to your desired color.

Step 3: Apply Glaze Roll glaze quickly onto wall. If you think it will take longer than 15-20 minutes to cover an entire wall, get a partner with their own roller.
Step 4: Smooshing
4a. Lay a thin plastic drop sheet over the wet glaze; it will adhere on its own. Using your hands, smooth the plastic against the wall and wrinkle, rub, crinkle--anything--just smooth the plastic. This will take about five minutes. Remove plastic, ball up and throw away.
4b. Roll glaze onto next wall. Put a fresh sheet of plastic on the wall, and repeat.

For the Best Results...
* Use the alternating wall approach, i.e. smoosh opposite walls. This will give you better corners.

Neat Idea:
This technique can be adapted to create a great Faux Slate Floor. See Fantasy Finishes video for directions.



HINTS & TIPS  Return to CONTENTS

General
  • Experiment on sample boards before attempting any technique.
  • Use masking tape or painters tape to protect all areas not to be finished.
  • Remove tape as soon as project is completed.
  • A light sanding of the base coat before you begin will increase glide and help slow the dry time of glazes.
  • Use alkyd glazes in well ventilated areas.
  • Choose from a wide selection of professional patterning tools or common household items like combs, spatulas, rulers, plastic wrap, etc.
  • Brushes and rollers can be adapted for a variety of effects; they can be divided with rubber bands or masking tape or cut for patterning.

Positive Methods--
APPLYING PAINT OR GLAZE ONTO A SURFACE WITH A TOOL.

  • Use latex paints for positive methods, where fast drying can be a benefit.
  • Work quickly to avoid lap marks. They will not be noticed while paint is wet, but will become apparent once dried and are difficult to repair.

Negative Methods--
APPLYING PAINT OR GLAZE TO A SURFACE AND THEN REMOVING WITH A TOOL.

  • The slow drying of alkyd paints is ideal for negative methods.
  • Negative techniques go faster with two people. One to apply the other to remove.
  • Complete one wall or area at a time, stopping in a corner, or at a natural break.
  • For a different look, try ragging finishes with paper, plastic bags, or feather clusters instead of rags.
  • When tools become too saturated, have a dry one on hand to continue.
  • Use lint-free and color-free rags.
  • A thin, even coat of glaze is best. The more glaze you apply, the more you will have to remove.
  • When working with negative techniques, speed is important as alkyd glazes start to set after 10 to 15 minutes. If the leading edge dries, you will have a lap mark.
  • Never go back over tacky areas with more glaze. The color will intensify and you will see the mark.
  • Leave a "wet edge"--a margin of unworked glaze at the end of each panel--to allow blending of next panel of glaze.

How to Mix Your Glaze  Return to CONTENTS
ALKYD GLAZES FOR STIPPLING, RAGGING, BAGGING AND DRAGGING TECHNIQUES
5 parts* Moore's Glazing Liquid--#409-00
1 part Satin Impervo--#235 (tinted to desired color)

LATEX GLAZES FOR COLOR WASHING, SPONGING, RAG ROLLING
1 part* Moore's Latex Glazing Liquid
1 part Regal Wall Satin
Water, if desired

*This is approximate. Alter to achieve desired translucency.

For a more translucent effect, add more Glazing Liquid, for a more opaque effect, use less.

When paint is mixed with Glazing Liquid, and applied over white, the color will be a paler version than the original color.

Check your glaze color on a small wall area or sample board before proceeding.

Practice makes perfect. Start experimenting in the basement or a closet.


COLOR SELECTION INFORMATION  Return to CONTENTS


Selecting Colors for Negative Methods
  • In most cases, select the base color (lightest) using 2-3 shades different for your glaze.
  • As glazes are a layering of colors, colors from the same family work best. Avoid putting complementary colors, like red and green, together.
  • The color you apply last is the color you will see the most and vice versa.
  • Colors appear lighter when mixed, so always choose colors a shade or two darker than your desired color.
  • For a frosted or cloudy look use a light glaze over a dark base.
  • Dark glazes applied over light bases usually provide the truest color results.

Selecting Colors for Positive Methods

  • Start with the color you want to see the least and end with the color you want to see the most.
  • Use colors that already exist in the room like carpet, drapes, furniture, etc.
  • Consider choosing stronger colors. You will only see small portions of each color, not solid walls.
  • The more colors, the more work.
  • Applying colors wet on wet will result in mixing--keep color theory rules in mind.

For more information on color theory consult Color: A Stroke of Brilliance, available through your Benjamin Moore dealer.


PRODUCT INFORMATION  Return to CONTENTS


  • Regal AquaVelvet Latex Eggshell Finish. Perfect for heavy traffic areas.
  • Regal Wall Satin Latex Interior Flat. For walls throughout your home.
  • Regal AquaGlo Latex SemiGloss Enamel. For trim, doors, furniture and walls.
  • Regal AquaPearl Latex Pearl Finish. For kitchens and bathrooms.
  • Regal AquaGrip 100% Acrylic Primer-Sealer. Provides excellent adhesion for paint on slick and smooth surfaces.
  • Acrylic Latex K&B. A mildew resistant satin finish for kitchens and baths.
  • Floor & Patio Latex Enamel. Quick drying interior/exterior enamel for heavy traffic areas.
  • Satin Impervo Alkyd Low Lustre Enamel. Ideal for faux finishes when mixed with Alkyd Glazing Liquid.
  • Wall-Grip 1. Covers previously painted and hard, glossy surfaces.
  • Alkyd Glazing Liquid. For slower drying and larger surface faux techniques.
  • Latex Glazing Liquid. For faster or small surface finishes.
  • Benwood Stays Clear and Benwood One Hour Clear Finish. For clear protection on cabinets, paneling, furniture, floors, trim and doors.
  • Latex Texture Paint. For creating textured surfaces on interior walls and ceilings.

 
 

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