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CONTENTS:
SPONGING
RAGGING
RAG-ROLLING
DRAGGING
COLOR WASHING
SMOOSHING
We've listed our color selections for the following rechniques.
You can experiment with your own color choices.
SPONGING Return
to CONTENTS
Positive Method
| Tools: |
Large natural sea sponge, corner cut
sponge, paint tray, small 1" brush |
| Materials: |
Stage 1: base color #681,
Regal AquaGlo
Stage 2: sponge colors
#719, #024, #1375, Regal Wall Satin |
| Definition: |
"Pounce" - a straight up and down motion
used to texture or soften paint. Do not twist or wipe
across surface or smeared appearance will result |
| Walls Return
to CONTENTS |
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| Step 1: |
Paint wall base color allow to dry overnight. |
| Step 2: |
Wet sponge with water and wring out until
damp. |
| Step 3: |
Pour first Stage 2 color in paint tray |
| Step 4: |
Lightly dip sponge in paint and dab on clean
area of tray or trial surface, to blot excess
paint from sponge. |
| Step 5: |
Start anywhere on wall, gently dab wall with
sponge about 12'' apart, until a 4' x 4' area
has been covered. |
| Step 6: |
Without reloading sponge, fill in between
initial hits. This method will ensure eveness
over the entire wall. |
| Step 7: |
Reload sponge and cover an adjoining 4' x 4'
area overlapping previous area slightly.
Continue until wall is complete. |
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Step 6
Initial dabs, 12" apart |

Step 8
"Cutting in" with a
corner sponge

Step 9
"Pounce" corners to
soften

Step 10
Add additional colors |
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| Corners Return
to CONTENTS |
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| Step 8: |
Using "corner sponge" with the
straight edge against the wall not being
painted, sponge the corners, starting at top of
wall. |
| Step 9: |
Use old 1" brush to pounce corners. This
will soften and fill in those areas the sponge
missed. |
| Step 10: |
Apply remaining colors, one at a time as
indicated in steps 1 through 9, until walls are
completed. |
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| Finishing Return
to CONTENTS |
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| Step 11: |
Apply a clear coat, if desired, for added
durabiIity and additional depth of color once
all colors aredry. |
NOTES: When using latex, each color need only be
"dry to the touch" before proceeding with next
color. If too much color or pattern is applied, remember
you can soften the effect by sponging some of the
background color over "the mistake".
This technique leaves lots of room for
experimentation. Be creative, especially with color. |
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Apply Latex Acrylic Urethane for
added durability |
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RAGGING Return
to CONTENTS
Negative Method
| Tools: |
Large natural sea sponge or cheese cloth,
small 1" brush, chamois, paint tray, short nap
roller, gloves. |
| Materials: |
Stage 1: base color - #589, Regal AquaGlo
Stage 2: glaze color - #595, Satin Impervo, and Moore's
Glazing Liquid |
| Definition: |
"Cutting in" - a technique used to finish
into corners and detail areas. Use a smaller tool, and
maintain wet edges on different application areas. |
| Walls - Corner to
Corner Return
to CONTENTS |
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| Step 1: |
Paint wall base color, allow to dry overnight. |
| Step 2: |
Mix glaze using formula. |
| Step 3: |
Pour glaze in paint tray. |
| Step 4: |
Using roller, apply even coat of glaze to
first 3-4 feet of wall, top to bottom. |
| Step 5: |
Cut in corner using brush, and pounce to
remove brush marks. |
| Step 6: |
Dampen sponge with water, and wring out. |
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Step 4
Applying glaze over dry base coat

Step 5
Cutting in corner |

Step 7
Stipple finish

Step 9
Ragging finish
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| Stippling Return
to CONTENTS |
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| Step 7: |
Using sponge or cheese cloth, dab glaze
everywhere to remove roller marks. If a more
subtle finish is desired, this "stippled
finish" can be left at this stage, or for a
variation proceed with ragging instructions. |
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| Ragging Return
to CONTENTS |
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| Step 8: |
Dampen chamois with water and wring out. |
| Step 9: |
Bunch up chamois in hand and "pat"
wall surface all over, turning cloth frequently
to produce a random pattern. |
| Step 10: |
Repeat steps 4-6, 8-9 to corner. |
| Step 11: |
After each panel, or, when rag is loaded with
glaze, rinse in a bucket with 1" of mineral
spirits, and wring out thoroughly. |
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| Finishing Return
to CONTENTS |
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| Step 12: |
When your glaze is dry (overnight), you are
ready to apply additional colors, if desired,
following the same method. |
| Step 13: |
Your new glazing finish is very durable but a
clear coat such as Polyurethane may be applied,
if desired, for added gloss and durability, once
all colors are dry. |
NOTES: With negative or removal techniques you
must work quickly and complete each section before the
glaze becomes tacky. Team work with one person applying
the glaze and a second person following with the
selected negative technique will make the job easier.
Ragging and stippling can be done independently of one
another to produce different effects. |
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Work from top to bottom of the wall |
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RAG-ROLLING Return
to CONTENTS
Positive Method
| Tools: |
Brushes 1" & 3", cloth
(diaper, cheese cloth, etc.), paint tray, gloves. |
| Materials: |
Stage 1: base color - #008, Regal AquaGlo
Stage 2: ragging colors - #011, #324,
Regal Wall Satin
Moore's Latex Acrylic Urethane |
| Definition: |
"Ragging" - a glazing term commonly known as
a negative technique. It must be adapted here as a
positive method in the form of "Ragging On". |
| Walls Return
to CONTENTS |
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| Step 1: |
Paint wall base color, allow to dry overnight |
| Step 2: |
Pour first Stage 2 color in paint tray.
Note: If more subtle effect is desired, paint
may be thinned with water up to 10%. |
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| Ragging On Return
to CONTENTS |
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| Step 3: |
Dip rag in paint, and wring out slightly. |
| Step 4: |
Using twisted rag, start at top of wall and
roll down to bottom. |
| Step 5: |
Continue by rolling next panel besided first
until wall is completed. Allow paint to dry
overnight before continuing with next step. |
| Step 6: |
Apply second colored glaze, using same method,
(steps 3 - 6) |
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Step 3
Dip rag in paint

Step 4
Use both hands to roll rag down
wall |

Step 6
Apply a second color |
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| Color wash Return
to CONTENTS |
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| Step 7: |
Using Moore's Latex Acrylic Urethane tinted
with White Moore's Colorant (WH), brush a thin
coat over entire walI surface. This wil soften
the initial effect. (optional)
Brushing Technique: Use a 3"
brush, with short brush strokes in multiple
directions, producing a cross hatching effect.
Do not try and remove brush marks, as they add
interest and dimension to your finish.
Color washes are attractive over any finish, to
soften or reduce contrast. Try using a wiping
motion with a soft cloth for a subtle finish, if
brush marks are not desirable.
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| Finishing Return
to CONTENTS |
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| Step 8: |
If a color wash was not used, you may want to apply a
clear coat for added durability.
Rolling Technique: To aid in keeping
rag-rolling pattern even, start rolling at top of wall
down to midway point. Then start at bottom rolling up,
feathering out where rag-rolling meet.
Feathering Technique: Where pressure is reduced
gradually near the end of a stroke with the application
tool. |
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Work from top to bottom of the wall |
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DRAGGING Return to
CONTENTS
Negative Method
| Tools: |
Small 1" brush, dragging brush (broom, whisk,
comb, etc.) paint tray, short nap roller, gloves. |
| Materials: |
Stage 1: Upper wall base color -
#778, and lower wall base color - #783 Regal AquaGlo
Stage 2: Glaze color - #784, Satin
Impervo, and Moore's Glazing Liquid. |
| Definition: |
"Wet Edge" - margin of unworked glaze or paint,
which is used to blend adjacent applications of glaze to
eliminate lap marks. |
| Moulding & Trim Return
to CONTENTS |
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| Step 1: |
Paint base coat and allow to dry overnight. |
| Step 2: |
Apply glaze with brush along full length, or to a
natural stop. |
| Step 3: |
Choose one of the following methods:
Dragging - Using a dry brush, start at one end
and drag the length of moulding. Or Wiping -
Using a dry cloth, start at one end and lightly wipe off
glaze.
NOTE: Dragging usually results in excess
glaze accumulating at the base. Ensure that proper
masking and drop cloths are in place, to catch this
glaze. As well, glaze will accumulate in tools. Remove
excess glaze as you work.
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Step 3
Dragging on mouldings

Step 3
Wiping on mouldings |

Step 6 &7
Team work: one person applies the glaze,
while the other pulls vertically through it |
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Alternatives Return
to CONTENTS
- first color dragged vertically, second
color dragged horizontally,
- use rubber side of squeegee, notched, for a graphic
pattern.
- squiggles, curves, and arcs are fun and interesting.
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Walls
| Step 1: |
Paint wall base color, allow to dry overnight. |
| Step 2: |
Mix glaze using formula. |
| Step 3: |
Pour glaze in paint tray. |
| Step 4: |
Using roller, apply even coat of glaze to first 3-4 feet of
wall. |
| Step 5: |
Cut in corner, base and ceiling using paint brush. |
| Step 6: |
Using dragging brush, start at top of wall, pull vertically
down wall as straight as possible. Repeat and continue to within
one brush width of edge of glaze, leaving a wet edge. |
| Step 7: |
Apply next section of glaze and repeat to end of wall. |
Finishing Return to
CONTENTS
| Step 8: |
Your new glazing finish is very durable but a clear coat may
be applied for added gloss, depth of color and durability, once
glaze is dry. |
NOTE: With negative or removal techniques you must work
quickly and complete each section before the glaze becomes tacky. Team
work with one person applying the glaze and a second person following
with the selected negative technique will make the job easier. |
COLOR WASHING Return
to CONTENTS
Positive Method
TOOLS:
Roller & paint pan (for base coat), bucket, water, mixing stick,
sponge or rags, protective gloves
MATERIALS:
REGAL AQUAGLO (base coat), REGAL WALL SATIN (colorwash), STAYS CLEAR (colorwash)

Color washing gives this wall that old world charm.
Color washing is an easy way to dress up less than perfect walls and
enhance the texture and character of plaster or stuccoed walls.
There are two steps to this technique. A base coat and a translucent
coat that you "wash" on top. Keep in mind that while circular
motions are used for this demonstration, you can apply the wash any way
you see fit. An entire room, after the base coat, can be color washed in
about 45 to 90 minutes.
As a variation, this technique can be applied directly over wallpaper
that has colors and patterns you want to tone down.
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Step 1: Base Coat Apply a base coat of Regal
AquaGlo in the color of your choice and let it dry.
Step 2: Mix Color Wash Mix one (large) part
Regal Wall Satin (tinted to the color you want your glaze to
be), one part Benwood Stays Clear and one part water. Stir.
Step 3: Application Dip sponge into mixture,
squeeze out excess and 3a. "Wash"
onto walls with circular motions. |
How To Get That "Textured" Look of Stucco and Plaster.
. .
- Apply a coat of Texture Paint* Let dry.
- Apply base coat. Let dry.
- MIX COLOR WASH, AND APPLY WITH SPONGE. (NOTE: For more details on
applying Texture Paint, refer to Benjamin Moore's Texture How-to
Booklet.)
*This product not available in Canada.
For Better and Faster Results. . .
- When choosing colors, decide how they will react together, and
whether you want light over dark or dark over light.
- The base coat is the color you want to see the least of, the
"wash" the color you want to see most.
- Fewer rubs will give you a more "distressed" look, more
rubs, a "warmer" look.
- If wash color is the same color as the woodwork no masking off
will be required.
SMOOSHING Return to
CONTENTS
Negative Method
TOOLS:
Paint roller and tray, plastic drop sheets, protective gloves
MATERIALS:
REGALAQUAGLO (base coat), SATIN IMPERVO (glaze coat), GLAZING LIQUID
(glaze coat)

A wall can be smooshed in just 15-20 miutes,
giving any room a great new look.
If you like the look of marble, this is the technique for you.
Smooshing is a "negative" technique. This means you will be
applying glaze onto the wall and then creating a marble-like texture by
placing plastic over the wet glaze, smoothing it with your hand and then
removing it.
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Step 1: Base Coat Paint walls with Benjamin
Moore's Regal AquaGlo satin finish latex in the color of your
choice. Allow to dry ovemight.
Step 2: Mix Glaze Mix together five parts
Benjamin Moore's Alkyd Glazing Liquid and one part Satin Impervo,
tinted to your desired color.
Step 3: Apply Glaze Roll glaze quickly onto
wall. If you think it will take longer than 15-20 minutes to
cover an entire wall, get a partner with their own roller. |
Step 4: Smooshing
4a. Lay a thin plastic drop sheet over the wet glaze;
it will adhere on its own. Using your hands, smooth the plastic against
the wall and wrinkle, rub, crinkle--anything--just smooth the plastic.
This will take about five minutes. Remove plastic, ball up and throw
away.
4b. Roll glaze onto next wall. Put a fresh sheet of
plastic on the wall, and repeat.
For the Best Results...
* Use the alternating wall approach, i.e. smoosh opposite walls. This
will give you better corners.
Neat Idea:
This technique can be adapted to create a great Faux Slate Floor. See
Fantasy Finishes video for directions.
HINTS & TIPS Return
to CONTENTS
General
- Experiment on sample boards before attempting any technique.
- Use masking tape or painters tape to protect all areas not to be
finished.
- Remove tape as soon as project is completed.
- A light sanding of the base coat before you begin will increase
glide and help slow the dry time of glazes.
- Use alkyd glazes in well ventilated areas.
- Choose from a wide selection of professional patterning tools or
common household items like combs, spatulas, rulers, plastic wrap,
etc.
- Brushes and rollers can be adapted for a variety of effects; they
can be divided with rubber bands or masking tape or cut for
patterning.
Positive Methods--
APPLYING PAINT OR GLAZE ONTO A SURFACE WITH A TOOL.
- Use latex paints for positive methods, where fast drying can be a
benefit.
- Work quickly to avoid lap marks. They will not be noticed while
paint is wet, but will become apparent once dried and are difficult
to repair.
Negative Methods--
APPLYING PAINT OR GLAZE TO A SURFACE AND THEN REMOVING WITH A TOOL.
- The slow drying of alkyd paints is ideal for negative methods.
- Negative techniques go faster with two people. One to apply the
other to remove.
- Complete one wall or area at a time, stopping in a corner, or at a
natural break.
- For a different look, try ragging finishes with paper, plastic
bags, or feather clusters instead of rags.
- When tools become too saturated, have a dry one on hand to
continue.
- Use lint-free and color-free rags.
- A thin, even coat of glaze is best. The more glaze you apply, the
more you will have to remove.
- When working with negative techniques, speed is important as alkyd
glazes start to set after 10 to 15 minutes. If the leading edge
dries, you will have a lap mark.
- Never go back over tacky areas with more glaze. The color will
intensify and you will see the mark.
- Leave a "wet edge"--a margin of unworked glaze at the
end of each panel--to allow blending of next panel of glaze.
How to Mix Your Glaze Return
to CONTENTS
ALKYD GLAZES FOR STIPPLING, RAGGING, BAGGING AND DRAGGING TECHNIQUES
5 parts* Moore's Glazing Liquid--#409-00
1 part Satin Impervo--#235 (tinted to desired color)
LATEX GLAZES FOR COLOR WASHING, SPONGING, RAG ROLLING
1 part* Moore's Latex Glazing Liquid
1 part Regal Wall Satin
Water, if desired
*This is approximate. Alter to achieve desired translucency.
For a more translucent effect, add more Glazing Liquid, for a more
opaque effect, use less.
When paint is mixed with Glazing Liquid, and applied over white, the
color will be a paler version than the original color.
Check your glaze color on a small wall area or sample board before
proceeding.
Practice makes perfect. Start experimenting in the basement or a closet.
COLOR SELECTION INFORMATION Return
to CONTENTS
Selecting Colors for Negative Methods
- In most cases, select the base color (lightest) using 2-3 shades
different for your glaze.
- As glazes are a layering of colors, colors from the same family
work best. Avoid putting complementary colors, like red and green,
together.
- The color you apply last is the color you will see the most and
vice versa.
- Colors appear lighter when mixed, so always choose colors a shade
or two darker than your desired color.
- For a frosted or cloudy look use a light glaze over a dark base.
- Dark glazes applied over light bases usually provide the truest
color results.
Selecting Colors for Positive Methods
- Start with the color you want to see the least and end with the
color you want to see the most.
- Use colors that already exist in the room like carpet, drapes,
furniture, etc.
- Consider choosing stronger colors. You will only see small
portions of each color, not solid walls.
- The more colors, the more work.
- Applying colors wet on wet will result in mixing--keep color
theory rules in mind.
For more information on color theory consult Color: A Stroke of
Brilliance, available through your Benjamin Moore dealer.
PRODUCT INFORMATION Return
to CONTENTS
- Regal AquaVelvet Latex Eggshell Finish. Perfect for heavy
traffic areas.
- Regal Wall Satin Latex Interior Flat. For walls throughout
your home.
- Regal AquaGlo Latex SemiGloss Enamel. For trim, doors,
furniture and walls.
- Regal AquaPearl Latex Pearl Finish. For kitchens and
bathrooms.
- Regal AquaGrip 100% Acrylic Primer-Sealer. Provides
excellent adhesion for paint on slick and smooth surfaces.
- Acrylic Latex K&B. A mildew resistant satin finish for
kitchens and baths.
- Floor & Patio Latex Enamel. Quick drying
interior/exterior enamel for heavy traffic areas.
- Satin Impervo Alkyd Low Lustre Enamel. Ideal for faux
finishes when mixed with Alkyd Glazing Liquid.
- Wall-Grip 1. Covers previously painted and hard, glossy
surfaces.
- Alkyd Glazing Liquid. For slower drying and larger surface
faux techniques.
- Latex Glazing Liquid. For faster or small surface finishes.
- Benwood Stays Clear and Benwood One Hour Clear Finish. For
clear protection on cabinets, paneling, furniture, floors, trim and
doors.
- Latex Texture Paint. For creating textured surfaces on
interior walls and ceilings.
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